Radioheads OK Computer :: Music Musical Essays

Radiohead's OK Computer In the mid-1990s, rock and roll experienced another of its many transitions. During the early ‘90s, the â€Å"grunge† scene, emanating from Seattle and its surrounding area, enthralled the youth of the time with the music of such acts as Soundgarden, Pearl Jam, and Nirvana. This surge in high-distortion, high angst rock snapped the genre out of the doldrums of glam-metal, which, for a long time, dominated the â€Å"rock music† racks of record stores across America. By 1997, grunge was dead, its end spurred by the death of Kurt Cobaine, the impending breakup of Soundgarden, and the increasing vapidity of Pearl Jam. At the same time, bubble gum pop made its comeback, thanks to acts like Hanson and the Spice Girls (even today, irritatingly saccharine acts like the Backstreet Boys and their seemingly infinite clones dominate pop charts). Fortunately, in the summer of 1997, the British rock band Radiohead released OK Computer, which received both critical acclaim and commercial success, a rare combination in today’s music scene. The album caught enough attention in both respects that it was later nominated for both best alternative album and album of the year, and received the former award (Hilburn C-6). OK Computer is important because it is one of the few albums released in this decade that has an underlying message; Radiohead, while never coming out and stating it, does an excellent job a blending subtlety with clarity. By both its lyrical and musical complexity, OK Computer covers a broad emotional range, evoking, as David Cheal puts it, â€Å"gloom and alienation; but you also get warmth and yearning† (15). Dimitri Ehrlich adds that, as a whole, the album is â€Å"unglossy, unhandsome, and every bit as complex as modern life† (56). â€Å"Paranoid Android† expresses this complexity at a level in which frustration and alienation come hand in hand. The song, clocking at nearly seven minutes, begins with the elegant plucking of an acoustic guitar and lead singer Thom Yorke’s statement of bitterness: â€Å"When I am king, you will be first against the wall.† After a brief guitar break, the song begins its tremulous diatribe on the loss of identity: â€Å"Why don’t you remember my name? / Off with his head now, off with his head.